the summer of 1986, Robin Behling was presented with a huge challenge. Formerly an advertising manager at EMI Music, then account director for entertainment-specialist ad agency Cream Creative, Behling had just taken over as creative director of Feref Associates, a Soho, London-based creative agency based which specialised in creating tailor-made advertising campaigns for movies. Despite its impeccable reputation, he’d arrived to find that Feref was struggling financially. It was overstaffed and its directors were, as Behling now recalls, “in hock with the bank”. It had also just lost a massive chunk of its business with the sudden departure of a major client.
Star Wars stunt coordinator and sword master Nick Gillard reflects on his days with the Jedi of the Old Republic.
Almost 60 years on from Dr. No, people still can’t get enough of James Bond, as the hunger for the still-delayed No Time To Die surely shows. With several artefacts from the world of 007 appearing in our upcoming EMLA – from Pierce Brosnan’s Walther PPK to Daniel Craig’s Skyfall tuxedo – we thought we’d reveal a few fascinating facts about the franchise that you might not yet have heard…
When Phil Tippett first saw the computer-animated T-rex stomping towards him in an Amblin screening room in 1991, he knew he was finished. Conjured on the sly by the team at ILM in their San Rafael facility, the fearsome creature moved with a lifelike smoothness that Tippett could only dream of achieving using the stop-motion animation techniques he’d honed over decades.
He turned to director Steven Spielberg, who’d hired him to create and animate the dinosaur miniatures for Jurassic Park, and said, “I think I’ve just become extinct.”
The headpiece of the Staff of Ra is central to what is, without doubt, one of the most powerful and majestic scenes in modern cinema: the Map Room scene in Raiders of the Lost Ark. As John Williams’ magnificent score swells and soars to roof-lifting, operatic heights, a sunbeam catches the headpiece’s central, amber bird’s eye and transforms into an ancient laser-beam, directing Indiana Jones (Harrison Ford) to the resting place of the titular relic.
This year, in Prop Store’s first Los Angeles-based Entertainment Memorabilia Live Auction, we have a distinguished piece of movie-making history going up on the auction block, in the form of Alfred Hitchcock’s Vista Vision Motion Picture Camera. This camera, used not only on the production of Hitchcock’s Vertigo, but also by filmmaking legend Cecil B DeMille when filming The Ten Commandments, was a marvel of technology in its day, and helped the Master of Suspense produce an enduring Noir classic.
It’s hard to think of a movie weapon more iconic or impressive than the lightsaber. With its unearthly glow and that mesmerizing hum, it represented the perfect blend of Star Wars’ romantic fantasy and sci-fi elements: a sword, which could have been a samurai blade or King Arthur’s Excalibur, whose blade glowed and crackled like a magically frozen laser blast. To quote Jedi Master Ben Kenobi (Alec Guinness), it was “Not as clumsy or random as a blaster. An elegant weapon, for a more civilized age.”
For their groundbreaking crossover miniseries, Marvel’s The Defenders, the creative team behind Marvel’s street-level heroes pulled together characters, worlds, and story elements from four separate series to craft a team-up event like nothing Marvel Television had ever attempted. But there were many steps behind the scenes, and decades worth of stories in the pages of Marvel Comics, that had to happen before the Defenders could be brought to life on film.
Just over 20 years ago, Prop Store started out as a one-man band, run by founder Stephen Lane from his home office in Rickmansworth, Hertfordshire. In 1998, driven by his love of cinema and memorabilia collection, Lane realised there was a huge potential market in movie props: items often seen as waste by film studios, which usually would end up in a skip, but which he saw as valuable artefacts, coveted by collectors like him the world over. His first Prop Store sale was to an American collector (who still shops at Prop Store today, 22 years later), who bought a crew jacket for £393.
This year’s Cinema Poster Live Auction has over 300 posters, including an amazing selection of posters and original artwork from the collections of well-known comic-art artist Jock, Academy Award®-winning special effects cinematographer, Richard Edlund, former Lucasfilm Executive and Assistant Director Howard Kazanjian, and so much more!
So, sit back, relax, and get up-close and personal with some of our featured lots from the auction…
Ask any toy collector which treasure they’d most like to own, and the chances are they’d all tell you the same thing: a rocket-firing Boba Fett.
The laconic intergalactic bounty hunter is widely regarded as the Star Wars saga’s coolest character, with his Spaghetti Western-style, jetpack armour and that iconic, narrow-slit helmet visor, which suggested a cruelty and merciless precision far beyond the Empire’s clumsy stormtroopers. But this isn’t why he’s so sought after in action-figure form. At least, not entirely.
The Coen brothers are always full of surprises. One moment they’re remaking Ealing comedy classic The Ladykillers, the next they’re adapting Cormac McCarthy’s No Country for Old Men. Over the years, they’ve made a baby-kidnap caper (Raising Arizona), reimagined Homer’s Odyssey as a Depression-era chain-gang musical (O Brother, Where Art Thou?), and delighted in repeatedly casting George Clooney as increasingly stupid men. But their latest movie was arguably their biggest surprise yet. Mainly because everyone initially thought it was going to be a TV series.
Across three seasons of the groundbreaking series Marvel’s Jessica Jones, the eponymous damaged heroine had to face some true demons, from a mind-controlling creep, to a full-on serial killer, to her own mom. In their own way, each of these antagonists reflects how showrunner Melissa Rosenberg and her team brought Jessica from the more heightened world of the comic book page to hard-hitting reality, dealing with serious themes while doling out crimefighting entertainment.
Toy collecting, it seems, has never been more popular. If TV shows like Netflix’s The Toys That Made Us or the Discovery Channel’s Toy Hunter are anything to go by, the power of nostalgia has driven more people than ever before to seek out playthings from their childhood, whether for the sheer gratification of their personal passion, or as a potential investment…
Marvel’s Jessica Jones was a watershed moment in Super Hero entertainment. We’d seen comic book characters tackle real-world issues before, but from its first season debut in 2015, the gritty, edgy Marvel show dug its nails deep into every piece of “reality” that could be approximated around its super-powered star.
This year, Prop Store is launching its biggest-ever Entertainment and Memorabilia Live Auction, with no fewer than 900 cinematic and TV artefacts going under the hammer on 30 September and 1 October. That is a colossal treasure hoard, impressive enough to make even Smaug the Mighty jealous.
With so many dino-licious items among Prop Store’s Entertainment Memorabilia Live Auction lots this year, we decided to delve into a quarter-century of Jurassic Park movies.
In this year’s 2019 Entertainment Memorabilia Live Auction, we’ve had the amazing opportunity to get up close and personal with one of movie history’s greatest creatures – The Facehugger.
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