BLIND JUSTICE – The History of Marvel’s Daredevil

Avatar By on June 18th 2019 June 18th 2019

As props and costumes from Marvel’s Daredevil are being offered to fans in Prop Store’s upcoming Marvel Television Live Auction, we examine the origins of the gritty, groundbreaking Super Hero.


When Marvel’s Daredevil launched on Netflix in April 2015, it gave us the kind of Marvel hero we’d never really seen on screen before. As star Charlie Cox said of the show at the time, “This is much darker than anything I’ve seen Marvel do.” While undeniably the ‘good guy’, this Super Hero was tortured, conflicted, and not afraid of inflicting extremely grievous bodily harm on his foes. His world was shadowy and gritty, located in the crime-ridden neighborhood of Hell’s Kitchen, which felt more like the New York of ’70s crime dramas than the gleaming city where Tony ‘Iron Man’ Stark built the Avengers tower. In short, this was a Super Hero story pitched purely at grown-ups.


At the time it was a startling move for Marvel Studios, whose cinematic adventures never edged above the PG-13 rating. But when you look at the comic-book roots of the character, you realize it made perfect sense.


Created by Stan Lee and Bill Everett in 1964, Daredevil, aka lawyer Matt Murdock, was blinded as a child in the same accident that gave him his extra-sensory powers, and motivated to fight crime by the murder of his father by a gangster. The character took a darker turn in the late ’70s, when writer Roger McKenzie began blurring the line between upright hero and brutal vigilante. But it was when Frank Miller took the title over in 1981 that it really embraced the shadows and pushed the ‘adult’ content — Miller’s much-praised “Born Again” storyline, for example, made the character of Karen Page (played in the show by Deborah Ann Woll) a heroin-addicted adult-movie star.


During Miller’s tenure, three crucial villain characters were introduced — all of whom had a huge significance to Marvel’s adaptation for the Netflix series. Imported from Spider-Man, the bald, burly Kingpin became the series’ core bad guy, a manipulative, spiteful crime lord who became devoted to destroying Murdock’s life, most notably during “Born Again,” which formed the basis of the show’s final season. Then there was the deadly Bullseye, a professional killer who could turn any object, from a paper-clip to a playing card, into a deadly weapon. And finally, Elektra, the highly trained assassin with the iconic red sash and paired sai daggers, who became a rather complicated love interest for Murdock.


These characters were intrinsic to Daredevil’s morally ambiguous and daringly edgy tone — one which became tinged with a social conscience under the writer Ann Nocenti between 1987 and 1991, then ultimately reinforced by a tough, real-world feel during a stellar five-year run by Brian Michael Bendis a decade later.


However, the series found its true champion in the form of Joe Quesada, who joined Marvel Comics in 1998 and brought a new direction to Marvel Comics by injecting a cool, indie sensibility to its titles, with Daredevil leading the way. Quesada and Kevin Smith’s “Guardian Devil” storyline explored the Super Hero’s relationship with his Catholic faith like no other, while testing Murdock so harshly, at one point he even contemplates suicide.


Quesada would go on to become Marvel’s editor-in-chief, then the Chief Creative Officer of Marvel Entertainment. As such, he is Executive Producer on all TV adaptations, and was instrumental in making Daredevil the show it was. Unsurprisingly, the showrunners (Steven S. DeKnight for Season 1, Marco Ramirez and Doug Petrie for Season 2, and Erik Oleson for Season 3) never strayed far from the storylines and style of Miller, Nocenti, Bendis, Smith and Quesada.


The first and third seasons smartly placed Kingpin as the front-and-center antagonist, with the casting of Vincent D’Onofrio (Full Metal Jacket) proving a masterstroke. Perpetually simmering with barely suppressed rage, yet at times almost inviting sympathy through his oddly almost-childlike mannerisms, he was never anything less than compelling, delivering what many still believe is Marvel’s greatest ever villain performance. To the degree that the show could have titled the first season Wilson Fisk, and it still would have made perfect sense.


Elektra (Élodie Young) drove the second season (alongside Jon Bernthal’s ballistic Punisher, who was later rewarded his own show), pushing the guilt-ridden Matt even further away from the light as their shared past was revealed — along with the narrowing difference between their relatively ‘villainous’ and ‘heroic’ methods. And Bullseye (Wilson Bethel) made a late but welcome appearance in the final season, receiving a complex origin story that saw him turn from heroic FBI agent into a full-on murderous psychopath, thanks to Fisk’s insidious machinations.


All the while, Marvel’s Daredevil maintained a moody, back-alley-gloomy visual style and a flair for unflinchingly brutal action, which rarely left its suffering protagonist unscarred. The show’s signature set-pieces involved intricately choreographed single-take, single-camera melees that simply pummeled the breath out of you, the most impressive coming in the fourth episode of Season 3, when Charlie Cox’s Matt has to fight his way out of a prison during a riot.


Yet, although the show explored violence and darkness, Marvel’s Daredevil never lost sight of Murdock’s steely moral core, forged through his belief in the sanctity of the law and, more pertinently, his Catholicism. One of his mentors was a priest and his mother (Joanne Whalley) a nun. While faith-related images permeated the show, with the Super Hero even making a church his base of operations in the third season, where we often saw him surrounded by statues of angels and saints.


Cox’s commitment to the role was never once in doubt, whether he was portraying Daredevil’s internal battles with his Catholic faith, making Murdock’s sightlessness convincing, or pulling impressive fight moves that required months of intensive training.


Marvel’s Daredevil was all about keeping it real, keeping it layered and keeping its lead character on a tightrope walk between doing good for the people of Hell’s Kitchen, and doing more harm than good. Something which any long-term fan of the comic-book surely appreciated.

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  1. Avatar Jonathan Mault says:

    Daredevil is a very sad character. He, like me, has deep psychological problems. Unfortunately, I started this year badly. I have severe depression due to family problems. I started writing small essays on my blog about this I will be glad if you write your opinion about this. It helps me calm down and think about more important things than minor issues.

  2. Avatar Melissa Dorn says:

    Do not be sad. Each of us has such a mood. I often have difficulties with my studies, but I’m not upset and always in a good mood, probably because on the site Writing Judge. I found writing services from which I can order college essays. Go to nature, relax and your depression will end.

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  4. Avatar Keith Hutchinson says:

    Very informative article, thanks. I think it will appeal to many fans of the Marvel universe and its superheroes. I want to add a little about the history of the development of this series. At one time, 20th Century Fox acquired the rights to film adaptation with the participation of the comic book character Daredevil. In 2003, the film Daredevil was released. For a long time, various continuation projects were developed, which, for various reasons, were never implemented. Under the terms of the contract, it was agreed that if filming for the sequel or reboot did not begin on October 10, 2012, the film rights to Daredevil would return back to Marvel Studios. On April 23, 2013, Kevin Feige confirmed that the rights to Daredevil were back to Marvel and Disney, allowing Daredevil to appear in the Marvel Cinematic Universe. In October 2013, Deadline announced that Marvel was preparing four drama series and one miniseries, totaling 60 episodes, to air on the Video on demand services and cable channels that Netflix and Amazon are interested in. I learned this information from informative posts on instagram in which the authors talk about the superheroes of the marvel universe. I saw a lot of such posts there and noticed that in most cases they were published by accounts to which about 64 thousand subscribers were subscribed! I am sure that in order to achieve such indicators, their owners have repeatedly used the services of to cheat their number.

  5. Avatar Greyson Taylor says:

    Do you want to write such stories on instagram. I am sure people will love your blog. You will have many likes for your posts. Or you can read from here how to get extra likes

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