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Alan Rickman's bound personal hand-annotated scripts, photographs, paperwork and DVD artwork from Kevin Smith's religious comedy Dogma, and a draft script for the pilot episode of Clerks: The Animated Series. Rickman played Metatron, the voice of God, in Dogma. This lot comes from the personal archive of the late Alan Rickman.
This lot comprises a 121-page fifth draft script, dated "Feb. 16, 1998", which Rickman has signed the cover page and heavily annotated and highlighted wherever his dialogue appears on 21 pages; a fourth draft script, dated "Nov. 22, 1996", and an accompanying letter from Creative Artists Agency (CAA) asking Rickman read the script and look specifically at the roles of Azrael (ultimately played by Jason Lee) and Metatron; four promotional photographs of Rickman in costume; a wrap party invitation; a printed sketch for the Special Edition DVD cover art and a letter asking for Rickman to approve his likeness; and a 47-page table draft script, dated "06/03/99", for the pilot episode of Clerks: The Animated Series (2000), with an accompanying letter from CAA asking he look at the character of Leonardo Leonardo, a role which ultimately went to Alec Baldwin. Rickman highlighted and annotated 20 pages.
The lot is held together in a plastic box labelled "DOGMA - CLERKS (ANIMATED)" in Rickman's handwriting. Rickman personally archived all of his cinematic mementoes in this manner before his death in 2016. Dimensions (box): 33.5 cm x 26 cm x 6 cm (13.25" x 10.25" x 2.25")
Estimate: £3,000 - 6,000 M
Equally at home on stage or screen, Alan Rickman was a major star, despite entering his profession late. After working in graphic design, his first theatrical engagement after graduating from RADA in 1974 was at the Library Theatre, Manchester, where, aged 28, he was contracted for a season of underwhelming plays.
Steady work followed, but an unhappy season with the Royal Shakespeare Company in 1978 led Rickman to question his future. But after appearances at the Bush, London's pre-eminent fringe theatre of the time, in 1981, he found his spiritual home: the Royal Court Theatre. Rickman appeared in several shows, which established him as a leading man, but also provided him with the rehearsal technique - his "process" - which he would use in the preparation of every role he played. He returned to the RSC in 1985 to play the Vicomte de Valmont in Les Liaisons Dangereuses, first in Stratford, then the West End and finally Broadway, establishing him as a theatrical star.
Rickman's commitment to theatre meant that he did not make his theatrical film debut until 1988, but what a debut it was. Die Hard was an instant classic, with Rickman elevating a character who could have been the standard Euro-villain into a Hollywood Hall of Fame psychopath, Hans Gruber. Rickman became an overnight star at the age of forty-two, and three years later, he cemented his place in Hollywood with his film-stealing performance in Robin Hood: Prince of Thieves.
He set about putting his fame to work for him, enabling "difficult" projects to get funding, as well as opening doors and wallets for his favourite causes. Rickman was a firm believer in "sending the elevator back down" and provided support to young actors, writers and theatres whenever possible. His fellow professionals shared audience adoration of him, and the young casts of the Harry Potter films could not have asked for a more generous mentor than Severus Snape, on whom they bestowed homemade gifts and awards - all of which Rickman kept, and form a poignant part of this archive.
View all lots from DOGMA (1999)/CLERKS: THE ANIMATED SERIES (2000)
View all lots from Alan Rickman Archive